Navajo Textiles by Laurie D. Webster

Author:Laurie D. Webster
Language: eng
Format: epub
Publisher: University Press of Colorado

4

Crossroads and Navajo Weaving

A Weaver’s Narrative

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D. Y. Begay

My journey as a Navajo weaver was influenced first and foremost by my family, community, and surrounding environment. I began weaving at an early age, but opportunities to study other weaving traditions and methods opened a new weaving world to me. I have pursued my own style, which is not characteristic of Navajo regional styles. Nonetheless, I adhere to the same weaving techniques that have been passed down for generations. From this I am inspired to use new materials, colors, designs, and techniques in my tapestry weaving.

I was born to the Tótsohnii (Big Water) clan and born for the Ta’chi’nii (Red Running into Earth) people. My clans are my identity, and they acknowledge that I am Diné (Navajo). I am also recognized by my Navajo homestead name, A’taá haií’tiin (Middle Road). A’taá haií’tiin identifies not only my place of residence in the community, but it was also my grandfather’s Navajo name. It is a Navajo custom to identify yourself by the camp or family you come from.

I grew up in Tselani (Salina Springs), Arizona, a modest, isolated community southwest of Canyon de Chelly on the Navajo Reservation (figures 4.1, 4.2). From a very young age I roamed treacherous washes laminated with an assortment of natural-colored clays, explored canyons eroded with lines and images from the rain and wind, and climbed juniper trees to collect clusters of purple berries for snacks. My playground was my backyard. I had the most enchanting views of the horizon in all four directions and was able to see the mesas and the rich flora of the high desert. There was no lack of inspiration and beauty. These early experiences with my environment affected me deeply. Thus began my love of the landscape surrounding my home and my interest in the plants and minerals that would soon color my tapestries.

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